Standing Torso Study in Crimson Flush and Mineral Blue
£24.00
Anchored by an asymmetrical, reaching alignment, this original wash and ink piece investigates physical release through an incredibly dynamic, front-facing perspective. Multiple overlapping fountain pen paths weave a loose, vibrating boundary around the contours, utilising a highly responsive line weight that grants the central silhouette an energetic, shifting presence across the page.
The colour architecture relies on an intense thermal conflict, splitting the torso down a subtle vertical axis. A cold, translucent wash of mineral teal floods the left flank, while a heavy, saturated flush of vivid crimson dominates the opposite side, accompanied by an expansive, outward dispersion of independent scarlet droplets that break into the margins with spontaneous graphic weight.
Visceral and beautifully unpolished, the composition thrives on the immediate dilution where the wet washes bleed directly across your permanent pen work. This original study stands as a compelling exploration of emotional depth, utilising minimal line-marking and raw tonal contrast to celebrate a state of uncompromised strength and authentic form.
Specifications:
- Size: 5 x 7 inches (Standard small format aperture)
- Format: Unmounted and unframed for absolute display and framing freedom
- Paper: Heavyweight, archival-grade 300gsm cold-press art stock
- Medium: Light-fast watercolour wash and permanent, premium carbon black fountain pen ink
- Authenticity: Signed on the front by myself
Shipping
I ship free via Royal Mail Tracked 48 to most UK postcodes, excluding Northern Ireland and the Channel Islands.
Delivery
Delivery times are usually between two and four working days from receiving your order. For more information, please see my shipping and delivery policy.
Refund And Returns
If you're not entirely happy with your purchase, please see my refund and returns policy.
Please note that colours may differ slightly from how they appear on your screen due to varying display settings.
